Edgar Wright, un nom furieusement attaché à la culture geek. Son œuvre (Spaced, la Cornetto Trilogy & Scott Pilgrim) s’appuie sur un étalage de références pop frôlant l’écœurement. Après le différent artistique débouchant sur le hors piste Ant-Man, Wright avait besoin de délaisser cet univers trop grand public. Il revient donc se blottir dans le cinéma de niche avec Baby Driver une œuvre personnelle, avec en ligne de mire le pari d’être la quintessence de son cinéma.
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